DIARY
IEVA PACHOMOVA
IEVA PACHOMOVA
IEVA PACHOMOVA
IEVA PACHOMOVA
IEVA PACHOMOVA
IEVA PACHOMOVA
VILTĖ SAVICKAITĖ
VILTĖ ČEPULYTĖ
IEVA PACHOMOVA
MARIJA GARNAK
MARIJA GARNAK
VILTĖ SAVICKAITĖ
MARIJA GARNAK
VILTĖ ČEPULYTĖ
PYNĖ
Tuo pačiu metu, toje pačioje vietoje, tomis pačiomis sąlygomis fotografavome tą patį pasaulį, tačiau kiekviena savaip. Nežinojome, kur krypsta kitos žvilgsnis, kokias detales kuri pastebės, ką nuspręs palikti už kadro.
Lietuviškumo beieškant. Sutarėme jo ieškoti per kraštovaizdį, žmogų, medžiagas, istoriją ir mums pažįstamus simbolius. Kernavės archeologinė vietovė diktavo savą ritmą. Jos kalvos, plati erdvė ir istorijos prisodrinta žemė tapo ne tik fonu, bet ir viena iš projekto dalių. Čia susitiko senas peizažas, šiuolaikinis žvilgsnis, fotografija ir Lietuvos dizainerių kūryba. Pasirodo, viena vieta niekada neturi tik vieno vaizdo. Kaip ir Lietuva – ji priklauso nuo to, kas į ją žiūri.
Projekto komanda: Donata Šiaudvytytė, Monika Penkutė, Deividas Katkus, Lukas Ivanavičius, Radvilė Atkočiūnaitė, Kotryna Lipkevičiūtė, Gabija Gasperavičiūtė, Viktorija Zobielaitė, Modestas Kazakevičius
Dizaineriai: Viltė Savickaitė, Laimonas Žilinskas, Inga Skripka, Iveta Gustaite, Laura Ruškytė, Ugnė Mikutaite
Tuo pačiu metu, toje pačioje vietoje, tomis pačiomis sąlygomis fotografavome tą patį pasaulį, tačiau kiekviena savaip. Nežinojome, kur krypsta kitos žvilgsnis, kokias detales kuri pastebės, ką nuspręs palikti už kadro.
Lietuviškumo beieškant. Sutarėme jo ieškoti per kraštovaizdį, žmogų, medžiagas, istoriją ir mums pažįstamus simbolius. Kernavės archeologinė vietovė diktavo savą ritmą. Jos kalvos, plati erdvė ir istorijos prisodrinta žemė tapo ne tik fonu, bet ir viena iš projekto dalių. Čia susitiko senas peizažas, šiuolaikinis žvilgsnis, fotografija ir Lietuvos dizainerių kūryba. Pasirodo, viena vieta niekada neturi tik vieno vaizdo. Kaip ir Lietuva – ji priklauso nuo to, kas į ją žiūri.
Projekto komanda: Donata Šiaudvytytė, Monika Penkutė, Deividas Katkus, Lukas Ivanavičius, Radvilė Atkočiūnaitė, Kotryna Lipkevičiūtė, Gabija Gasperavičiūtė, Viktorija Zobielaitė, Modestas Kazakevičius
Dizaineriai: Viltė Savickaitė, Laimonas Žilinskas, Inga Skripka, Iveta Gustaite, Laura Ruškytė, Ugnė Mikutaite
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
Photo by Laurynas Kamarauskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Laurynas Kamarauskas
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
Photo by Džiugas Babenskas
BOTHWHERE | Joint Photography Exhibition
BOTHWHERE | Joint Photography Exhibition
ABEJUR, or BOTHWHERE was a self-organised photography exhibition by three artists – Donata Šiaudvytytė, Morta Narkauskaitė, and Alexandra Bondarev. The theme, developed through both visual and live conversations, was directly encoded in the expansive title of the show: bothwhere referred to a state permeating not only the artists’ creative practices but also their lives – manifesting uniquely in each of their works.
Being in two places at once was not merely a physical condition here; the works pointed above all to conceptually liminal spaces: fiction and reality, dream and ‘objective’ perception, mythology woven into contemporaneity, water as a threshold between states. They also revealed certain universals embedded within apparent dichotomies: harmony between nature and city life, human–animal coexistence, the playfulness of both child and adult, the sacred otherworld within the earthly – and, above all, beauty that was omnipresent: bothwhere, and everywhere. These images also carried the authors’ intentional agency, bearing witness to life unfolding on both sides of the lens. Authorship, too, appeared bothwhere – in the act of capturing images and in the art de vivre. Finally, the central axis of the exhibition was the body, visually and conceptually uniting the show into a cohesive whole: most often naked, sculptural, always real, not limiting but enabling a simultaneous existence in multidimensional spaces.
Our autonomous, independent, and intentional coming together to create this joint exhibition – without hierarchical roles, without funding, and outside traditional institutional art spaces – also became a manifesto: to create for the sake of creating, and to foster an open, self-sustaining community. In doing so, we hoped not only to connect with more like-minded people, but also to inspire other creators to gather and work freely, unbound by institutional expectations or conventional norms of the art field, and, if it’s not too banal to say, to create from the heart.
The exhibition took place at the VU Botanical Garden in Vingis and ran from 16 May to 6 June 2025
Being in two places at once was not merely a physical condition here; the works pointed above all to conceptually liminal spaces: fiction and reality, dream and ‘objective’ perception, mythology woven into contemporaneity, water as a threshold between states. They also revealed certain universals embedded within apparent dichotomies: harmony between nature and city life, human–animal coexistence, the playfulness of both child and adult, the sacred otherworld within the earthly – and, above all, beauty that was omnipresent: bothwhere, and everywhere. These images also carried the authors’ intentional agency, bearing witness to life unfolding on both sides of the lens. Authorship, too, appeared bothwhere – in the act of capturing images and in the art de vivre. Finally, the central axis of the exhibition was the body, visually and conceptually uniting the show into a cohesive whole: most often naked, sculptural, always real, not limiting but enabling a simultaneous existence in multidimensional spaces.
Our autonomous, independent, and intentional coming together to create this joint exhibition – without hierarchical roles, without funding, and outside traditional institutional art spaces – also became a manifesto: to create for the sake of creating, and to foster an open, self-sustaining community. In doing so, we hoped not only to connect with more like-minded people, but also to inspire other creators to gather and work freely, unbound by institutional expectations or conventional norms of the art field, and, if it’s not too banal to say, to create from the heart.
The exhibition took place at the VU Botanical Garden in Vingis and ran from 16 May to 6 June 2025
Exhibition review – artnews.lt
Exhibition review – 7md.lt
Video from the exhibition opening
Exhibition soundscape
It took place in the myth-shrouded Strėva Sinkhole — the Devil’s Pit’s lesser-known sister, where legends say devils quarreled and overindulged, and so the sinkhole claimed them
Discovering this place and its story, the idea for the photoshoot took shape, quietly resonating with the themes of TURTAS, the band’s latest album
Discovering this place and its story, the idea for the photoshoot took shape, quietly resonating with the themes of TURTAS, the band’s latest album
Wandering through film sets is a strange, thrilling feeling, where the real and the fictional blend. Here are glimpses from the sets of the short films Sakalas ir juodaplaukis, directed by Pijus Mačiulskis, and Paukščių kalba, directed by Ieva Žitkevičiūtė
Estrada, 2024
Estrada, 2024
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Estrada, 2024
Estrada, 2024
Images of you and me, improvising through space and time like an endless open jam
I am a Lithuanian photographer working primarily with analog photography. Growing up on the Lithuanian coast, I developed a strong connection to the sea and the landscape, which continues to influence my work.
My photography focuses on people, their everyday lives, and the spaces they inhabit. In my ongoing project "Artists and Their Daily Life", I photograph artists in their studios and homes, exploring their routines, working environments, and the details that shape their practice.
My debut exhibition, "Abejur", marked the beginning of this direction. It encouraged me to work with lived-in spaces and to treat the environment not simply as a backdrop, but as an essential part of the story.
Support the vision
donata.siaudvytyte@gmail.com